In computer graphics, faces of a polygon - graphics

In computer graphics, why do we need to know that backward face and forward face of a polygon are different?

There are several reasons why a triangle's face might be important.
Face Culling
If you draw a cube, you can only ever see at most 3 sides of it. The front three sides will block your view of the back 3 sides. And while depth testing will prevent drawing the fragments corresponding to the back sides... why bother? In order to do depth testing, you have to rasterize those triangles. That's a lot of work for triangles that won't be seen.
Therefore, we have a way to cull triangles based on their facing, before performing rasterization on them. While vertex processing will still be done on those triangles, they will be discarded before doing heavy-weight operations like rasterization.
Through face culling, you can eliminate approximately half of the triangles in a closed mesh. That's a pretty decent performance savings.
Two-Sided Rendering
A leaf is a thin object, so you might render it as one flat polygon, without face culling. However, a leaf does not look the same on both sides. The top side is usually quite a bit darker than the bottom side.
You can achieve this effect by sending two colors when rendering the leaf; one meant for the top side and one for the bottom. In your fragment shader, you can detect which side of the polygon that fragment was generated from, by looking at the built-in variable gl_FrontFacing. That boolean can be used to select which color to use.
It could even be used to select which texture to sample from, if you want to do more complex two-sided rendering.

Related

How does Skia or Direct2D render lines or polygons with GPU?

This is a question to understand the principles of GPU accelerated rendering of 2d vector graphics.
With Skia or Direct2D, you can draw e.g. rounded rectangles, Bezier curves, polygons, and also have some effects like blur.
Skia / Direct2D offer CPU and GPU based rendering.
For the CPU rendering, I can imagine more or less how e.g. a rounded rectangle is rendered. I have already seen a lot of different line rendering algorithms.
But for GPU, I don't have much of a clue.
Are rounded rectangles composed of triangles?
Are rounded rectangles drawn entirely by wild pixel shaders?
Are there some basic examples which could show me the basic prinicples of how such things work?
(Probably, the solution could also be found in the source code of Skia, but I fear that it would be so complex / generic that a noob like me would not understand anything.)
In case of direct2d, there is no source code, but since it uses d3d10/11 under the hood, it's easy enough to see what it does behind the scenes with Renderdoc.
Basically d2d tends to have a policy to minimize draw calls by trying to fit any geometry type into a single buffer, versus skia which has some dedicated shader sets depending on the shape type.
So for example, if you draw a bezier path, Skia will try to use tesselation shader if possible (which will need a new draw call if the previous element you were rendering was a rectangle), since you change pipeline state.
D2D, on the other side, tends to tesselate on the cpu, and push to some vertexbuffer, and switches draw call only if you change brush type (if you change from one solid color brush to another it can keep the same shaders, so it doesn't switch), or when the buffer is full, or if you switch from shape to text (since it then needs to send texture atlases).
Please note that when tessellating bezier path D2D does a very great work at making the resulting geometry non self intersecting (so alpha blending works properly even on some complex self intersecting path).
In case on rounded rectangle, it does the same, just tessellates into triangles.
This allows it to minimize draw calls to a good extent, as well as allowing anti alias on a non msaa surface (this is done at mesh level, with some small triangles with alpha). The downside of it is that it doesn't use much hardware feature, and geometry emitted can be quite high, even for seemingly simple shapes).
Since d2d prefers to use triangle strips instead or triangle list, it can do some really funny things when drawing a simple list of triangles.
For text, d2d use instancing and draws one instanced quad per character, it is also good at batching those, so if you call some draw text functions several times in a row, it will try to merge this into a single call as well.

What is the fastest engine for drawing large numbers of semitransparent trianges?

I enjoy computer graphics.
I was wondering what the fastest engine was with the following functionality:
Draws triangles with 4 color channels rgba and allows for the drawing of point and directional lights.
Texturing would be a cool additional feature, but again I am looking for the fastest engine, not the most functional. Camera animation and object animation will be imperative.
Finally there are really 2 answers for this question, 1 for general development and one for web, but if you can only speak to one or the other your contributions will be appreciated!
There are quite a lot of engines that do the job. One of the most known is for example Unity, where you also have tons of other features in good performance.
But I think you are not really looking for an engine but an API. Examples are OpenGL or DirectX (already mentioned). OpenGL even has a specific web content (WebGL).
There is one more problem: the triangles should be semitransparent. What is missing in the other answer is the question if the triangles are already ordered. OpenGL for example is good in rendering objects where it does not matter which triangle is nearest to the viewer. It "searches" this one on the fly and shows only the triangle that is visible. But with semitransparent triangles it is possible to see different triangles overlapping each other and therefore it is not only necessary to know which triangle is in the front, but which triangle comes directly after that and so on. OpenGL offers blending for this feature, but is necessary to order the semitransparent triangles manually before rendering. This is called the Painters Algorithm. While Sorting of objects is a complex problem, exspecially with a large number of objects, this could take quite long time.
For this there is another solution called "depth peeling". The idea is to render all triangles multiple times with OpenGL. The first time you get all the triangles which are in the front. Now you render all triangles again, but without the triangles in the front. This results in the second nearest triangles to the viewer. After that all triangles are rendered again, but without the first two "peels", which results in the third nearest triangles and so on. This is expensive because everything has to get rendered multiple times, but in cases where there is a very large number of triangles this is faster than sorting (and more precise due to overlapping triangles). In most cases four peels are enough for good results. For further read I suggest the following paper of Everitt: http://gamedevs.org/uploads/interactive-order-independent-transparency.pdf
Your best bet is probably OpenGL. In the case of the web, you could use WebGL and in the case of native desktop or mobile development you could directly use OpenGL.

Mesh on the other side of light source looks strange

i'm programming in WebGL (using OpenGL shaders) simple model loader. I've implemented phong shading in fragment shader. However when i load larger objects than simple monkey/cube and turn camera out of light source, meshes looks strange (aliased?). Some of them are even lightened although they should be hidden (black).
Lightened side is OK:
Other side is wrong:
I calculate normals for every vertex same way, so normals should be OK (when i turn camera on lightened side of car, everything goes right).
Thank you very much for your tips.
This looks like an single sided vs two sided lighting issue to me. In case your mesh consists of only a single "layer" of faces, those will have normals that point into only one direction. If single sided lighting is used, then the backface, i.e. if the light is on the side from which the normal points away, will look weird.
There are three ways to overcome this:
Use two sided illumination
draw the object twice with back faces culled, then flip the normals and culling the front face
Give the mesh thickness, so that there are two sides (you should enable backface culling then)
I think i found bug in my Collada Parser where i do not respect exported normals but i'm calculating new one. This causes inverted normals from time to time (this door mesh of this car for example). Anyway two sided rendering has to be implemented too.
Thank you.

How to construct ground surface of infinite size in a 3D CAD application?

I am trying to create an application similar in UI to Sketchup. As a first step, I need to display the ground surface stretching out in all directions. What is the best way to do this?
Options:
Create a sufficiently large regular polygon stretching out in all directions from the origin. Here there is a possibility of the user hitting the edges and falling off the surface of the earth.
Model the surface of the earth as a sphere/spheroid. Here I will be limiting my vertex co-ordinates to very large values prone to rounding off errors. (Radius of earth is 6371000000 millimeter).
Same as 1 but dynamically extend the ends of the earth as the user gets close to them.
What is the usual practice?
I guess you would do neither of these, but instead use a virtual ground.
So you just find out, what portion of the ground is visible in the viewport and then create a plane large enough to fill that. With some reasonable maxiumum, which simulates the end of the line of sight aka horizon as we know it.

Antialiased composition by coverage?

Does anyone know of a graphics system which handles composition of multiple anti-aliased lines well?
I'm showing a dependency diagram and have a bunch of curves emanating from a point. These are drawn anti-aliased in the usual way, of blending partially covered pixels. So if two lines would occupy the same half of a pixel, the antialiasing blends it to 75% filled rather than 50% filled. With enough lines drawn on top of each other, the pixel blend clamps and you end up with aliased lines.
I know anti-grain geometry has algorithms for calculating blends which cater for lines which abut, and that oversampling might work, but are there any other approaches?
Handling this form of line composition well is going to be slow (you have to consider all the lines that impinge upon each pixel using a deferred rendering approach). I doubt that there are many (if any) libraries out there that will do it for you.
The quickest and easiest method (and possibly the only realistic and cost effective solution for your case), which will work with virtually any drawing library would be to supersample it - draw to an offscreen bitmap at much higher resolution (e.g. 4 times wider and higher, with lines of 4 pixels width. Disable antialiasing when drawing this as it'll only slow it down) and then scale the result down with bilinear filtering. The main down-side is that it uses a lot of memory for the offscreen bitmap.
If you need an existing system that gets antialiased lines "visually correct", you might try using one of several existing RenderMan-compliant 3D renderers. The REYES algorithm, which many of these renderers use, works by breaking up primitives into micropolygons, then sampling them at several random point locations within each pixel. So even if you have a million lines collectively obscuring 50% of a pixel, the resulting image value will show roughly 50% coverage. (This is, for example, how the millions of antialiased hairs are drawn on characters in many animated movies.)
Of course, using a full-blown 3D renderer to draw 2D lines is like driving nails with a sledgehammer. You'd need a fairly pathological scenario for the 3D renderer to be any more efficient than simply supersampling with a traditional 2D renderer.
It sounds like you want a premade drawing library, which I do not know of.
However, to answer your question of knowing any approach that would work, you can consider a pixel to be a square. You can then approximate any shape that you draw as a polygon that intersects the pixel box. By clipping these polygons against the box of the pixel and against each other, you can get a very good estimate of the areas associated with each color that intersects the pixel for accurate antialiasing. This is, of course, very slow to calculate and is not suitable for interactive drawing.

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